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by monks in the ninth Century as a bulwark against Viking attacks,
the Fake McCoys are one of the finest extant examples of...no,
wait, I'm thinking of something else.
Since
emerging from the campus circuit in 1996, fearless comedy guerillas
The Fake McCoys (Patrick Stokes and Christian Price) have carved
out a unique place for themselves on the Melbourne comedy scene.
They combine elements of sketch, stand-up, music and video into
a unique, high-energy style. Over the past ten years they've won
audience support and critical acclaim and proven themselves in
just about every medium imaginable. The McCoys pride themselves
on smart, edgy comedy that doesn't hold back and doesn't dumb
it down.
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Above:
Barely-Legal McCoys kicking it 1995-style at their high school
Student Revue. |
Price
and Stokes met at secondary school in 1994, where a mutual love
of comedy, pathetic desire for attention and complete inability
to get noticed by girls drove them to start writing and performing
together. After a brief period as a trio (with a Uni friend of
Christian's who then quite literally ran away to join the circus),
the McCoys hit upon the style of flannel-clad, guitar-driven whimsy
that defined the act for much of the 90s.
Premiering
the moving ballad "Macauley Culkin Must Die!" at their
1995 High School Student Revue later that year (left),
they brought the house down and, the screams of appreciative 16
year old Sacre Coeur College girls still ringing in their ears,
embarked upon the high seas of the Melbourne live comedy scene.
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Over the
past decade they have played hundreds of gigs in dozens of venues- in
pubs, talent shows, nightclubs, parties, cafeterias, on radio, on TV,
in the street, on public transport and on at least one rooftop. Songs
like 'God Loves You?', 'Barbecue At The Pound' and 'Please Don't Throw
Me In The Pool' became firm crowd-pleasers, as did their popular movie
parodies (e.g. Titanic with Arnold Schwartzenegger as the Iceberg).
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Above:
Patrick Stokes, without doubt the finest
comedic mind of this, or any, generation. |
In
1997 the McCoys presented their first Melbourne
International Comedy Festival outing, the imaginatively-titled
grab-bag The Fake McCoys. They followed that up the following
year with Bonfire of the Flannies, a show that finally
answered the question first posed by the Pre-Socratic philosopher
Zeno of Elea: "What if Rage Against the Machine,
like, put out a kids album?" It was that sort of thinking
that won them the 1998 CAV Campus Comedy Competition.
1999's
Citizen McCoy (MICF and Fringe)
("Thought-provoking, hilarious and
sometimes dark"- Buzzcuts) saw the act take
a darker, more political turn. The flannies were replaced by black
suits, the subject matter became angrier and more political, the
guitar became more accoustic (ok, it wasn't the same guitar).
In
2000, the McCoys and long-time collaborator Ian D. Seymour teamed
up with comic whirlwind Duff and the incredibly talented Terri
Psiakis to present McCoy TV (Fringe), a 'pirate broadcast'
that took aim at the inanity of modern television. Naturally,
this show was so successful in that aim that TV is now all great
again. |
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In
2002, TFM and Emma Sachsse presented True
Cross in MICF ("Price
and Stokes are excellent...the hidden gem of this Comedy Festival,
brilliantly funny and superbly executed"- Stage
Left). Charting the thirty-year rise and fall
of Christian Rock legends 'True Cross', (and introducing TFM favorites
including "God Can See You Do That" and "Summer
of Abstinence"), the show drew both critical applause and
criticism from those who saw it as making fun of religion. Somehow,
their career managed to recover from a bagging in the Anglican
Media, proving that any religion that stops short of issuing a
full-on fatwa just doesn't have the grapes, quite frankly.
In
2006 the McCoys began writing for Comedy
Inc-The Late Shift, bringing their comedy to a national
TV audience. In 2004, they produced a
series of news satire pieces for C31's flagship news
program, C News (winner, ACBA Best Program, 2004). Other
TV credits include C31's 'Champagne Comedy', thecomedychannel's
"Headliners" and Channel V's "Maynard's Morning
Show"; they also wrote and performed for ABC-TV's pilot "It's
Out There."
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Above:
Christian Price, without doubt the
finest comedic mind of this, or any, generation.
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Their
radio credits include hosting their own show on Laugh Radio FM,
the weekly news satire 'Let's News'
on Triple R's "Summer Pinch", as well as performing
on Triple J's "Super Request" and appearing on ABC local
radio.
In
2002, TFM wrote and performed (with Emma Sachsse, Tim Nicholson
and Brendan Donohoo) the radio play Will
Yellowlegs: Pirate Cop in Laura Milke's Whodunnit?
Live Radio Plays series (winner, Fringe Director's Choice
Award 2002). The TV version of Will Yellowlegs was subsequently
chosen as a finalist in the 2004 Next Laugh competition,
where it was performed for some very confused film and television
executives. Whodunnit?
Series
Two (winner, ACBA Most Innovative Program, 2003) again saw
TFM (with Tim Harris, Emma and Brendan) presenting an original
radio play, Septimus Griffin and
the Salad of Fear.
From
stage to screen to radio, the Fake McCoys have been a major presence
in the Melbourne comedy scene for many years, and will be for
many more. McCoydom marches on in all its sick and twisted glory.
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